Our Treasures Abroad, Norway: Egypt Ambassador to Norway Inaugurates Ancient Egyptian Artifacts Exhibition in Oslo

Egyptian Ambassador in Norway Mahy Hassan Abdel-Latif inaugurated an exhibition of ancient Egyptian antiquities and paintings entitled "Images of Egypt" at the Norwegian Museum of Cultural History in Oslo. Written By/ MENA.

The three-month exhibition showcases Egyptian artifacts from across the world's largest museums including London's Victoria and Albert Museum, Paris's Musée d'Orsay and the US Metropolitan Museum of Art, alongside two original copies of the book "Description de l'Égypte."

Over 300 people attended the opening ceremony including ambassadors, members of the diplomatic corps, representatives from Norway's Ministry of Foreign Affairs, and individuals from the Egyptian community in Norway.

Source: Ahram Online

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Our Exhibitions Abroad, USA: Under The Spell of Egypt

North America fell under the magic of the Ancient Egyptians this week, with two exhibitions being inaugurated in St Louis and Los Angeles, reports Nevine El-Aref.

St Louis and the City of Angels were seized by Egyptomania this week when the “Sunken Cities: Egypt’s Lost World” and “Tutankhamun: Treasures of the Golden Pharaoh” exhibitions opened in the cities this week.

The St Louis International Airport, streets, shops, buses and hotels were all plastered with posters of granite colossi of the goddess Isis, the Nile god Hapi, Ptolemaic royal figures and the head of Caesarion, Cleopatra’s son by Julius Caesar, half buried in the seabed, for the Egypt’s Lost World exhibition.

Others showed divers coming face-to-face with monuments beneath the waves decorating sections of the St Louis Art Museum (SLAM) façade, while a large 3D photograph of one of Napoleon’s sunken vessels dominated the main wall of the museum’s central courtyard and connecting the six grand galleries of the exhibition. St Louis, it felt, had come under the spell of the Ancient Egyptian sunken treasures.

The exhibition displays 293 objects excavated from beneath the Mediterranean. It was inaugurated by Minister of Antiquities Khaled El-Enany and SLAM Director Brent Benjamin in the presence of Egyptian MPs Osama Heikal, head of the Culture, Antiquities and Media Committee, and Sahar Talaat Mustafa, head of the Tourism and Aviation Committee.

Enormous care had been taken in recreating the Alexandrian theme.

The different galleries of the exhibition had been designed to resemble the sunken cities of Heracleion and Canopus in Abu Qir Bay, and all the galleries were painted light blue and dark sandy-red to reflect the colours of the sea and sand.

Giant plasma screens showed films documenting the progress of marine archaeologists as they uncovered the mysteries of Alexandria’s ancient Eastern Harbour within the display theme.

A prologue and an epilogue provided information about the underwater missions of the Institut Européen d’Archéologie Sous-Marine (IEASM) that discovered the treasures and the natural disasters that had led to the submergence of the area more than 1,000 years ago.

Benjamin had no doubt about the block-busting nature of the show in a city that already boasts one of the world’s finest collections of Egyptian antiquities. “The first exhibition of these Egyptian treasures is one of the cultural highlights of 2018.

This exhibition will attract and enthrall St Louis inhabitants as well as their neighbours,” he told Al-Ahram Weekly, adding that he expected one million people to visit the exhibition during its six-month duration.

The museum has permitted only 200 visitors per hour in order to protect the monuments and provide people with a positive experience. “This week, for example, we succeeded in selling 1,000 tickets in only one day,” Benjamin said.

He described the exhibition as “very important for American audiences as it combines both archaeology and underwater aspects at one time. We grew up watching the TV specials of [French diver] Jacques Cousteau, and here they are combined together which makes the exhibition more compelling to Americans,” Benjamin told the Weekly.

He said the exhibition was a good opportunity for those who had not had the chance to visit Egypt, as it gave them an idea of Egypt’s great civilisation. It also encouraged others to visit Egypt. “As the minister said, these exhibitions are good ambassadors of Egypt,” Benjamin said.

Frank Goddio, head of the IEASM and leader of the underwater archaeological missions that recovered the artefacts, said the exhibition was an ideal opportunity to encourage people to visit Egypt and to explore its art and culture.

He told the Weekly that the aim of sending the exhibition to the United States was to open the new discoveries to the widest public and to encourage visitors from the United States.

He explained that the interior design of the exhibition was totally different from earlier outings in Paris and London. It had a different sonography focusing more on museological techniques and history than on a spectacular ambience, he said... READ MORE.

Source: Ahram Online

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Our Exhibition Abroad, Canada: The World of The Fatimids Goes on Display in Toronto

A collection of Fatimid artefacts arrived safely in Canada for a temporary exhibition at the Aga Khan Museum. Written By/ Nevine El-Aref.

A collection of Fatimid artefacts from Cairo arrived in Toronto on Tuesday for inclusion in a temporary exhibition at the city's Aga Khan Museum.

The exhibition, titled The World of the Fatimids, will run from 10 March to 2 July, providing North America with its first display of carefully selected Fatimid artworks, according to the museum.

Elham Salah, head of the museums sector at the Egyptian Ministry of Antiquities, told Ahram Online that the museum has received eight wooden boxes containing a collection of 37 artefacts for the show.

The artefacts were carefully selected from the collection of the Museum of Islamic Art (MIA) in the Bab Al-Khalq area of Cairo. They reflect the history of the Fatimids, who "established one of the greatest civilisations in the world, influencing knowledge and culture throughout the Mediterranean, Europe, and the Near East," according to the Aga Khan Museum website.

Salah said that the ministry had taken all the necessary legal and administrative measures to ensure the safe transportation of the artefacts from Cairo to Canada, applying the latest techniques in packaging and transportation.

An archaeologist and a conservator from the ministry accompanied the artefacts to monitor them on their long journey and inspect them on arrival, said Salah.

Mamdouh Osman, general director of the MIA, said that the artefacts include a collection of clay pots, dishes with various foliage and animal decorations, and a wooden mihrab (niche) decorated with a two-line inscription in kufic script.

There are also a number of marble tombstones inscribed with kufic script reading: "This is the tomb of Hamzah ibn Ali and his descendant Al-Imam Ali Ibn Abi Talib," referring to the cousin of Prophet Mohamed.

Also among the artefacts are marble vases, copper lamps and chandeliers with kufic script, and other objects in rock crystal, ivory and ceramic.

The exhibition features films on Fatimid Cairo, using drone video footage and 360 virtual reality technology, offering an insight into what the city was like a thousand years ago.

The Aga Khan Museum says the exhibition, "bears witness to a remarkable dynasty that built one of the world’s oldest universities, compiled one of its greatest libraries, and fostered a flowering of the arts and sciences."

Source: Ahram Online

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Our Exnibition, Astana: Temporary Exhibition of Islamic Artifacts to Open Thursday in Kazakhstan

The temporary exhibition in Astana is to include a number of artifacts selected from the Museum of Islamic Art in Cairo. Written By/ Nevine El-Aref.

Under the title, "Sultan Bebars and his reign," the Astana National Museum in Kazakhstan is to host its first temporary exhibition from Egypt.

Elham Salah, head of the museums sector of the Ministry of Antiquities, explained that the exhibition includes a collection of 22 Islamic objects from the reign of Mameluk Sultan Bebars that were carefully selected from the Museum of Islamic Art in Cairo.

The objects, Salah told Ahram Onine, include a copper food container gilded with silver, a lion-shaped white marble sheet, a copper basin gilded with silver and gold, a wooden holder of the Quran embellished with ivory and a collection of silver and gold coins.

The exhibition will last until August.

Source: Ahram Online

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Short Story: Ancient Egyptians in Japan

The Japanese city of Shizuoka is celebrating Easter the ancient Egyptian way with a major exhibition of antiquities, reports Nevine El-Aref.

It seems that ancient Egyptian artifacts are hogging the attention of the Japanese city of Shizuoka this Easter, taking away attention from traditional bunnies and coloured eggs. 

Pictures of the Great Pyramids at Giza, the Pharaoh Khufu’s solar boat, a golden mask of Amenemopet, a limestone pyramidion of Ry and Maya, a black basalt statue of Khafre and jewellery embellished with precious stones have been decorating the walls of the city’s train station, shops, hotels and streets instead of the usual Easter decorations.

Last Saturday a gala ceremony was organised at the Shizuoka Prefectural Museum of Art to celebrate the opening of “The Golden Pharaohs and Pyramid Builders” exhibition on the seventh leg of its tour, with Japanese officials, Egyptologists and curators gathering to attend the inauguration.

The exhibition was originally opened in October 2015 in the Japanese capital Tokyo and was scheduled to tour seven other cities in Japan over a 25-month period, including Matsuyama, Sendai, Kagoshima, Kyoto, Toyama, Shizuoka and Fukuoka. 

“The exhibition at its sixth stop in Toyama attracted 80,000 visitors, and we are expecting around 110,000 people to visit the exhibition in Shizuoka,” Naomi Kudo, the exhibition coordinator, told Al-Ahram Weekly. She said that all the tickets for the first day had been sold.

“The exhibition not only sheds light on the Old Kingdom and the age of the Pyramid Builders, but also highlights the strong relationship between Egypt and Japan,” Mahmoud Afifi, head of the Ancient Egyptian Antiquities Department at the Ministry of Antiquities, told the Weekly. He added that the exhibition was a good opportunity to promote tourism and to encourage Japanese tourists to return to Egypt.

Afifi said that Egyptian-Japanese cooperation in the cultural field was being seen in many current projects. Among the most important was the Grand Egyptian Museum (GEM) overlooking the Giza Plateau, which will put on display 100,000 artefacts and welcome millions of visitors every year. 

“This is thanks to the Japanese government and the Japan International Cooperation Agency [JICA] for their continuous efforts and support in offering two soft loans to complete one of the most important cultural projects in the world,” Afifi said.

In addition, Japan has provided technical and scientific support through the provision of scientific equipment and materials to the GEM’s conservation centre. 

There are many joint Egyptian-Japanese missions at various archaeological sites in Egypt that have yielded important results. Waseda University, for example, has been excavating in Egypt since 1966, and it was among the first foreign institutions to introduce advanced technological tools to better understand Egypt’s archaeology.

One of the university’s recent projects is the exploration of Khufu’s second solar boat in its pit on the Giza Plateau. “The exhibition is the first of its kind in Japan,” Sakuhi Yoshimura, president of the Higashi Nippon International University and the exhibition’s supervisor, told the Weekly, adding that exhibitions featuring the Pyramids were currently rare internationally.

He explained that the aim of the exhibition was to use a variety of exhibits to decipher the truth behind the construction of the Pyramids in order to discard fantasies and present only established facts. “This is the first comprehensive exhibition dealing with the Pyramids to be held anywhere in the world, and the artifacts it presents are amazing for their quality,” Yoshimura said.

The exhibition has five sections. The first features the construction of the Pyramids and the techniques employed, displaying a pyramidion, a hammer that was used to work the square stone blocks, surveying tools and other items....  READ MORE.

Source: Al Ahram Weekly

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Our Exhibtion Abroad, Swiss: Zurich hosts Egyptian Sunken Secret Exhibition for The First Time

After its successful tour in Paris and London, Osiris Egyptian Sunken Secrets Exhibition was hosted by Rietberg Museum in the Swiss city of Zurich between 10 February and 12 July. 

In a big press conference that was covered by a number of local and international media outlets, the Egypt Minister of Antiquities, Khaled El-Anany, provided information about the importance of the exhibited pieces that tells the mythical story of Osiris, the ancient Egyptian god of rebirth, and were found in the old cities of Thonis-Heracleion, Canopus, Abo Qeir, and Alexandria eastern port.

“The exhibition hosts 319 relics that were found below the Egyptian coasts, starting from the 2000s and going back to the Pharaonic, Roman, and Greek eras,” Elham Salah Al-Din, head of the museum sector in the Ministry of Antiquities, said. The relics were chosen from the Egyptian Museum in Cairo, the Graeco-Roman Museum, the Alexandria National Museum, and the Bibliotheca Alexandria Museum. The process of hosting such rare pieces is not an easy task.

“The exhibition has been held many times before in many countries around the world. We never deal with individuals, we always communicate with authentic governmental institutions which provide some offers for receiving the relics. We always deal with reliable insurance and packaging companies. The relics must be shipped on EgyptAir flights to guarantee their security,” she added.

According to MySwitzerland.com, the exhibition features some outstanding exhibits, such as the colossal statue of Hapy, the personification of the inundation of the Nile, which is more than five meters tall; the life-sized sculpture of the sacred Apis bull; the shrine with the oldest Egyptian calendar; and the statue of Queen Arsinoe II, that testifies to unique sculptural skills.

The exhibition is open for visitors from all nationalities for six months. An official from the Ministry of Antiquities must accompany the relics in exhibition for the whole scheduled period. “Foreigners are obsessed with Egypt’s ancient era and when we announce holding any Egyptian exhibition in any country, we usually receive a lot of attention and positive feedback. This can be a great way for reviving the tourism sector in Egypt again and attracting bigger numbers of tourists,” she added.

In her opinion, this exhibition would benefit Egypt on many different political, educational, cultural, and economic levels. “The exhibition is not only a good source of income, it also introduces Egypt’s name and civilisation to people in many different countries and sends an important message about the stability and security of Egypt’s current circumstances. It also builds strong connections between Egypt and the major countries where people study Egypt’s ancient history in their educational curriculum,” she explained... READ MORE.

Source: Daily News Egypt

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Our Exhibition Abroad, Japan: Pyramids Treasure in Toyama

Nevine El-Aref enjoys a trip back to the age of the pyramid builders in the Japanese city of Toyama.

Residents and visitors to the Japanese city of Toyama fell under the spell of the Giza Pyramids last week on the opening of the sixth leg of the Golden Pharaohs and Pyramids touring exhibition in Japan.

Posters of the Great Pyramids at Giza, the pharaoh Khufu’s solar boat, the golden mask of Amenemopet, the limestone pyramidion of Ry and Maya, the black basalt statue of Khafre and jewelry embellished with precious stones have been decorating the walls of Toyama train station, shops, hotels and streets.

For the next two months, Toyama residents will be able to travel back in time to the ancient Egyptian civilisation and explore one of its most important and powerful eras – the Old Kingdom, the age of the Pyramid builders.

A gala ceremony was organised at the Toyama Civic Centre last Friday to celebrate the opening of the exhibition, with Japanese officials, Egyptologists and curators gathering to attend the inauguration. 

Among them were Kiyotsugu Yamashi, president of Tulip TV which organised the exhibition, and Osamu Yamamato, director-general of civic affairs and culture at the Toyama prefectural government.

The Egyptian delegation was headed by Gharib Sonbol, head of restoration at the ministry of antiquities in Cairo. The present exhibition is the first ancient Egyptian exhibition to tour Japan after a three-year hiatus following the Tutankhamun: Golden Age of the Pharaohs touring exhibition in 2012. 

That exhibition was cut short and returned to Egypt before the end of the planned tour after some Egyptian archaeologists filed a lawsuit against the ministry in the aftermath of the 25 January Revolution. The lawsuit sought to end the sending of touring exhibitions of ancient Egyptian artefacts abroad.

The present exhibition was inaugurated in October 2015 in the Japanese capital Tokyo and is scheduled to tour seven other cities in Japan over a 25-month period, including Matsuyama, Sendai, Kagoshima, Kyoto, Toyama, Fukuoka, and Shizuoka. 

“The exhibition does not only shed light on the Old Kingdom and the age of the Pyramid builders, but also highlights the strong bilateral relationship between Egypt and Japan in all domains,” minister of antiquities Khaled Al-Enany told the Weekly. 

He added that the exhibition was a very good opportunity to promote tourism and to encourage Japanese tourists to return to Egypt.

Al-Enany said that Egyptian-Japanese cooperation in the cultural field was being seen in many distinguished projects. Among the most important was the Grand Egyptian Museum (GEM) overlooking the Giza Plateau which will put on display 100,000 artefacts and welcome millions of visitors every year. 

“This is thanks to the Japanese government and the Japan International Cooperation Agency (JICA) for their continuous efforts and support in offering two soft loans to complete one of the most important cultural projects in the world,” El-Enany said.

In addition, Japan had provided technical and scientific support through the provision of scientific equipment and materials to the GEM’s conservation centre. There are also many joint Egyptian-Japanese missions at various archaeological sites in Egypt that have yielded important results. 

Waseda University, for example, has been excavating in Egypt since 1966, and was amongst the first foreign institutions to introduce advanced technological tools to better understand Egypt’s archaeology.

One of the University’s recent projects is the exploration of Khufu’s second solar boat in its pit on the Giza Plateau. “The exhibition is the first of its kind in Japan,” Sakuhi Yoshimura, president of the Higashi Nippon International University in Japan and the exhibition’s supervisor, told the Weekly, adding that exhibitions featuring the Pyramids were rare throughout the world... READ MORE.

Source: Al-Ahram Weekly

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