News: Ismailia Museum Celebrates 83rd Anniversary - Two Monuments To Be Restored

Ismailia museum 

Yesterday, the Ismailia Museum celebrates its 83th anniversary, with further restoration works in the area to be undertaken soon. Written By/ Nevive El-Aref.

In an attempt to promote tourism, the Ministry of Antiquities celebrates yesterday the 83rd anniversary of Ismailia Museum. The celebration was to be inaugurated noon by Minister of Antiquities Khaled El-Enany and Ismailia governor Major General Yassin Taher.

Elham Salah, head of the Museums Department at the ministry, told Ahram Online that the celebration would include a number of sportive activities for children, a lyre (semsemeya) musical performance, and lectures on archaeology. A documentary summarising the history of the museum since its construction in 1934 is to be screened.

Ismailia Museum was the second museum to be constructed in Egypt after the Egyptian Museum in Tahrir Square, Cairo. The idea of its establishment started in 1911 when a French mission led by archaeologist Jean Kilda unearthed a collection of sarcophagi at Qantara-East city.

The relief of king Ramses II 

The Sphinx

Ismailia Museum opened in 1934 in a building constructed in a style inspired by the Greco-Roman architecture. The collection displays 3,800 objects from the Pharaonic and Graeco-Roman eras unearthed in the course of construction work on the Suez Canal 1859 and at other sites in Ismailia, Suez and Port Said cities.

Distinguished artifacts such as a collection of statues, scarabs, stelae and columns and records of the first canal built between the Bitter lakes and Bubastis by the Persian ruler Darius are also on show. The highlight of the museum is the large and beautifully preserved Roman floor mosaic depicting Phaedra sending a love letter to her stepson Hippolytus, while below Dionysus rides a chariot driven by Eros.

El-Enany is to also embark on an inspection tour around three monuments in Suez that will soon see restoration works. These monuments are the Mohamed Ali Pasha Palace at Al Khour area in Suez city, the Suez Canal Authority edifice in Ismailia, and the Abbas Helmy II mosque in Ismailia.

Thé Suez Canal Authority building

Ahmed El-Nemr, member of the Scientific Office of the antiquities ministry, told Ahram Online that the Mohamed Ail Palace was built to be Mohamed Ali's residence when following up on army forces during his war against the Wahhabis in the Saudi Arabia. It is a two-storey house with a wooden dome at its eastern roof.

The Suez Canal Authority building was built by Fernand de Lesseps and consists of a basement, a ground floor and a first floor with 120 rooms. The Abbas Helmi II mosque was built in 1898 for Khedive Abbas Helmi II and has a collection of very distinguished arcades.

El-Nemr said that the mosque was restored and inaugurated in 2013, adding that both the palace and the edifice of the Suez Canal Authority are in a very bad state of conservation and that a restoration project for them would be implemented soon.

Source: Ahram Online

Short Story: 5 Animals You Didn't Know Were Important In Ancient Egypt

Ancient Egyptians valued animals and insects in a way that seems very alien to us today.

In modern day Egypt, animals are given very little attention and even less social importance. This hasn’t always been the case as ancient Egyptians rooted their understanding of the creation of the universe in the natural elements (earth, air, water fire) and observable wildlife.

It is widely thought that ancient Egyptians worshiped animals, but this is largely a misconception. They looked to their surroundings to learn about divine laws, and it was believed that animals held the godly knowledge they needed to lead successful lives. This is why we see the gods depicted in animal forms.

Ancient Egyptians valued animals and insects in a way that seems very alien to us today.  Their deep respect and appreciation for all creatures, even ones that could threaten their safety, is a reflection of how holistically they saw the world around them. 

Of course, we've all heard of cats, jackals and falcons in ancient Egyptian mythology and daily life, but have you heard of these 5 other animals?

1. The Fly

It is likely that the fly was seen with as much disdain as we have for it today. After all, it spreads disease, hovers annoyingly and is generally a source of disturbance. But, ancient Egyptians were able to see past these traits and recognize the fly's persistence and courage.

Kings awarded golden fly amulets in the New Kingdom to distinguished people as part of the Order of Valor. 

This golden fly amulet was given in recognition of fierce persistence and bravery in the face of enemies. Think about that next time you swat a fly!

2. The Cow

Like the Hindus, ancient Egyptians recognized divinity in cows. The cow goddess, Hathor – a name that roughly translates to “House of Horus” – is associated with feminine love and motherhood.

When Hathor is not depicted as a cow-headed woman, she is frequently shown in cow-form standing protectively over the king, or suckling an infant king from her udder. 

She is the mothering force guarding Horus and each of his earthly manifestations.

3. The Scarab

The dung beetle or scarab, is an image we associate regularly with ancient Egyptian culture, but what does it actually signify?

The dung beetle would find a ball of dung, lay its eggs inside it, push it around with its hind legs until it grew to be several times its size. It would then find an appropriate area to bury the dung. From the depths of the earth, baby dung beetles would emerge.

This process caught the ancient Egyptians’ eye. The dung beetle was linked with the heavenly process of rebirth and regeneration and so became the representation of Khepri (the solar god) on earth. The sun would be rolled across the sky every morning by Khepri, and buried every night, only to appear again the next morning.

4. The Baboon

Thoth, god of the moon and writing, is presented in relation to two animals, the ibis bird and the baboon. While the curvature of the ibis’ beak resembles the lunar crescent, its movement while searching for food in the ground mimics that of a pen writing. 

The baboon was deified because of its human-like appearance and intelligence. It is often shown in texts directing the tasks of scribes and with the moon disk on its head.

Interestingly, the baboon was also considered to be a supporter of the sun god Ra. This is because of the baboon's barking at the rising sun in what appeared to the ancient Egyptians as an act of worship.

5. The Goose

It's possible that the early morning squawks of geese helped establish their place in ancient Egyptian creation stories.

It is said that Amun (the hidden creator god) was incarnated as the original goose, the Great Shrieker (or the Great Honker), whose squawk was the first sound in creation.  

The Great Shrieker lays the world as an egg in another version of the story.

Source: Step Feed

Short Story: An Ancient Egyptian Mystery Draws Tourists to King Ramses II statue

Ancient Egyptians were known for their scientific excellence and genius, especially in the fields of astronomy, sculpture and construction. 

For instance, the three pyramids are considered among the Seven Wonders of the World. Pharaonic arts and antiquities still hide secrets that no scientists have managed to explain or understand. Every year, a Pharaonic miracle has been happening for 33 centuries. At the main entrance of the Great Temple of Ramses II at Abu Simbel in Aswan governorate, a solar alignment is witnessed on the face of the King Ramses II statue twice a year, once on his birthday, Oct. 22, and again on his coronation day, Feb. 22.

Ramses II built his temple, which took 19 years to complete, in 1275 B.C. At the same time, the king inaugurated another temple for his wife, Queen Nefertari, who was said to be the most beautiful among Pharaonic queens. He ordered her shrine to be located near his own, on a mountain overlooking the Nile.

King Ramses II, of the ninth Pharaonic family, was born in 1315 B.C. He came to power in 1290 B.C. and gained wide popularity for several reasons. For one, he acceded to the throne when he was a young, ambitious and enthusiastic man and remained king for 67 years. He also inherited a strong and rich country from his father who taught him the arts of war, rule and politics.

Civilians and soldiers supported him, and he defeated the Hittites, the largest military power at the time. He was passionate about immortalizing his memory and honoring himself. For that purpose, he built more shrines, palaces, statues and obelisks than any other ruler before him. During his reign, Egypt built a new capital called Pi-Ramesses, which became one of the most important capitals of the ancient Near East.

When the sun shines, its rays creep into his deep shrine, which is about 60 meters (197 feet) from the entrance, to illuminate it. The aim is for the sun’s rays to fall on Ramses II’s face from the east from a narrow opening.

British explorer Amelia Edwards and her team detected this phenomenon in 1848, and she recorded it in her book “A Thousand Miles Up the Nile.” She wrote, “The statues of Abu Simbel Temple gain huge influence and are surrounded by an aura of praise and respect when the sunrays shine and set on them.”

Al-Monitor attended the Aswan governorate's celebration of the phenomenon. According to Aswan Gov. Magdy Hijazi, the governorate holds several artistic and cultural events for the occasion. “This year, the celebration was more organized, given the development of the work and performance to suit its grandiosity,” Hijazi told Al-Monitor. He noted that the event was made possible in coordination with the Ministry of Tourism, Antiquities and Culture in Aswan..... READ MORE.

Source: Al Monitor

Re-Opening, Dakhla Oasis: Openings In The Oasis

Three mudbrick houses and the remains of a villa in the Dakhla Oasis have been opened to the public after restoration. Written By/ Nevine El-Aref.

In the northwest of the Dakhla Oasis in Egypt’s Western Desert is the mediaeval village of Al-Qasr with its mudbrick buildings, alleys, mosques, Pharaonic temple and seed mill. Its serenity was disturbed earlier this week when Minister of Antiquities Khaled El-Enany along with Al-Wadi Al-Gadid Governor Mohamed Suleiman Al-Zamalout and Netherlands Ambassador Laurens Westhoff and other officials opened three houses and a villa in Al-Qasr to visitors after the completion of conservation work.

El-Enany described the work as “wonderful” and “one of the ministry’s most important achievements”. He said that the Al-Qasr village was one of the most important Islamic settlements in Egypt, not only because of its distinguished architecture but also because it was the meeting point of several trade routes as well as being on a main route for pilgrimage.

The newly inaugurated buildings are in the Rabaa Al-Shihabiya area of the village and include the Beit Al-Qadi, the Beit Al-Qurashi and the Beit Othman. The remains of the fourth-century Villa of Serenus, once a council member in Amheida (ancient Trimithis), were also restored and reopened.

Ahmed Al-Nemr, a member of the Ministry of Antiquities’ Scientific Office for Islamic and Coptic Monuments, told Al-Ahram Weekly that the Serenus Villa had been uncovered in 1979. While surveying the late antique city of Amheida, a team from the Dakhla Oasis Project had discovered the upper part of the Villa’s lavishly decorated walls, he said.

 El-Enany during the opening of Al-Qasr’s restored houses 

The main building, including decorated rooms, was subsequently excavated in 2004 and 2007 by a team from Columbia University in New York directed by Roger S Bagnall. Well-preserved decoration was found in four rooms depicting geometrical patterns as well as figurative scenes. “At the time of their discovery, both the paintings in situ and the collected fragments posed considerable conservation problems,” said Fred Leemhuis of the University of Groningen in the Netherlands.

He explained that the layer of plaster was very thin and extremely fragile. The best way of conserving this precious building for future generations was by refilling it with sand after extensive documentation, Leemhuis commented. “Because this unique villa would be destroyed by being exposed to the public, a plan was made to build a full-size reconstruction of the main house,” Leemhuis said.

Al-Nemr said that in order to recreate the full splendour of the building a decision had been taken to reconstruct the painted decoration. The project has been financed by a grant from the Embassy of the Netherlands in Cairo and administered by the Netherlands-Flemish Institute in Cairo. Soon after archaeologist Nicholas Warner had finished work on the building, a decoration team led by Dorothea Schulz moved in and started reconstructing and recreating the decoration.

In a report in the newsletter of the Netherlands-Flemish Institute in Cairo, Schulz wrote that the decoration of the two smaller rooms consisted of an intricate geometrical pattern. The biggest room, the Domed Room, was completely decorated from the floor to the highest point in the dome. There are geometrical “wallpapers” all around the room, the report said, composed of many different patterns.

While the wallpapers are still in situ and could be copied without problems, the dome had collapsed in antiquity and had taken a lot of work to reconstruct from thousands of fragments, the report said. The Serenus Villa replica was inaugurated during the minister of antiquities’ visit as a visitor centre. El-Enany described the reconstruction work as “spectacular and well worth a visit”. “The replica villa is a complete example of how top officials or a family of high social status built and decorated their homes in antiquity,” he said. Photographs and banners showing the detailed work are also on display, as well as photographs of the villa’s original conditiond.... READ MORE.

Source: Al-Ahram Weekly

Find More About Re-Opening Sites in Egypt  Click Here

Cairo: 9 Stunning Photos of the Newly Opened National Museum of Egyptian Civilisation

The newly opened museum is located in the heart of Al Fustat, housing between its walls 50,000 artefacts and the ancient natural lake of Ain Basira.

The newly inaugurated National Museum of Egyptian Civilisation (NMEC) was added to Egypt's long list of exceptional museums last week. 

The museum is located in the ancient Fustat city, the location of the original city of Cairo, behind the famous Amr Ibn El Aas Mosque, according to the Museum's recently launched Facebook page.

The 25-acre state-of-the-art establishment, which just opened to the public last Wednesday, is designed by Egyptian architect El Ghazzali Kosseiba. It is currently showcasing 50,000 historical pieces that narrate the development of Egyptian civilization since the dawn of time. 

It also includes on its premises the ancient Ain Basira natural lake.

Entry and photography is free for everyone until the end of February, after which entry will be set at EGP 30 for Egyptians and EGP 60 for foreigners. 

Here are some stunning pictures from the opening of the museum.

Check out the NMEC on Facebook.

Source: Cairo Scene

More About National Museum of Egyptian Civilization Click Here

News, Luxor: Egypt's Antiquities Ministry Restores Colossus of Ramsess II at Karnak Temples

Restoration began one month ago on a statue of the celebrated 19th dynasty pharaoh, which decorated the façade of the Karnak Temples' first pylon. Written By / Nevine El-Aref.

Egypt's Ministry of Antiquities is conducting comprehensive restoration work on a colossus statue of king Ramsess II that once decorated the façade of the first pylon of the Karnak Temple Complex.

Mostafa Waziri, head of the ministry’s Luxor antiquities department, told Ahram Online that reconstruction of the statue began one month ago, and is expected to be completed within two months. The statue would then be erected in its original position, he said.

The colossus of Egypt's most celebrated pharaoh stood in front of Karnak's first pylon along with five others. Four of these colossi depict the king standing and the two others sitting.

During the fourth century AD, Waziri said, the colossi were subjected to damages by a destructive earthquake. Their blocks were selected and placed in wooden shelters on the first pylon's western side.

In 2016, the ministry decided to restore and reconstruct one of these statues. Luxor governorate has supported the project by providing the materials needed for restoration. 

The statue is carved in gray granite, weighs 65 tons and stands 10.8 metres tall.

Source: Ahram Online

Explore Karnak Temple From Here

Short Story: The NMEC Opens in Cairo

Model of a weaving workshop

A temporary exhibition on the development of Egyptian crafts through the ages is marking the soft opening of the new National Museum of Egyptian Civilization in Cairo. Written By/ Nevine El-Aref.

Overlooking the Ain Al-Sira Lake in the heart of Egypt’s first Islamic capital of Al-Fustat stands the National Museum of Egyptian Civilisation (NMEC) with its pyramid-shaped roof. After six years of delay due to budgetary constraints in the aftermath of the 25 January Revolution, the NMEC was partially inaugurated this week with the opening of a temporary exhibition relating the history and development of Egyptian crafts through the ages.

As Al-Ahram Weekly went to press Prime Minister Sherif Ismail was scheduled to officially inaugurate the exhibition along with UNESCO Director-General Irina Bokova and Minister of Antiquities Khaled El-Enany. Although the work at the NMEC has been proceeding according to the schedule drawn up with UNESCO in 2002 when the foundation stone was laid, construction was put on hold after the revolution.

The museum was originally to be opened in July 2011. Owing to the revolution and funding problems, the opening was delayed. Over the past six years work proceeded slowly, but by 2014 all the construction work had been completed, including the galleries, corridors and exhibition sections as well as labs and storage galleries. Despite still showing some concrete underlay, the building’s floors and staircases are now encased in grey marble and the lighting and security systems all installed.

 A crescent necklace

However, budgetary issues have still prevented the total completion of the museum and its opening to the public. To overcome such obstacles, El-Enany suggested creating a temporary exhibition hall to put on show some of the museum’s planned exhibits to encourage tourism to the NMEC and provide the required funds to open the whole museum.

Over the last six months work on the two levels hosting the temporary exhibition “Egypt’s Crafts through the Ages” has been at full swing to meet the opening deadline. Workers have been organising artefacts inside showcases, while others have been inserting graphics on the theme of the exhibition design. Curators have been fixing labels on each display.

“I am very happy and proud to say that a part of my dream has now come true,” El-Enany told the Weekly, referring to this week’s partial opening. He added that between 2014 and 2016 he had been honoured to have been the supervisor of the NMEC project.

“In this capacity, I have seen first-hand the hard work and dedication of the museum staff and the ministry employees in making the museum’s debut exhibition a reality and a successful one at that. I take this opportunity to thank them for all their hard work,” El-Enany said, explaining that the newly opened exhibition was only a sampler of many more exciting endeavours to come.

“I hope every visitor will enjoy the exhibition and stay tuned to all of the NMEC’s future projects,” he said. The exhibition, El-Enany added, embodied what the NMEC as a museum and an institution aims to highlight: the material culture of a long-standing, diverse and advanced civilisation. It reflects both the continuity of traditions and the innovation of technologies in Egypt.

 Mabrouk and El-Enany inspecting the latest work at the exhibition hall before

 the opening

El-Enany said that the chosen crafts for the new exhibition were particularly relevant to the museum’s surrounding area, which has long been a hub of woodworking, textile production, jewellery making and pottery manufacturing. “Although the inauguration marks the opening of a single temporary exhibition to the public, the NMEC is a much larger entity than that, with rich galleries covering a plethora of themes in addition to being an extensive scientific research centre and cultural hub,” El-Enany said.

He announced that in order to celebrate the NMEC’s soft opening, the museum would offer admission to visitors free of charge beginning on 16 February and continuing through the end of the month. Photographs and videos for TV channels would be free of charge in the same period, he said.

“Craft production in Egypt has a long and rich history that over time has been continuously refined, incorporating new techniques and raw materials to create a treasure trove of exquisite masterpieces, many of which survive to this day,” Mahmoud Mabrouk, the exhibition designer, told the Weekly.

He said that the choice of crafts for the first temporary exhibition held at the NMEC boded well, with the location of the museum in Al-Fustat being known for its rich tradition of crafts. The area around the museum hosts a centuries-old pottery production community, and pottery producers and vendors line the main streets leading to the Museum.... READ MORE.

Source: Al Ahram Weekly