North
America fell under the magic of the Ancient Egyptians this week, with two
exhibitions being inaugurated in St Louis and Los Angeles, reports Nevine
El-Aref.
The
St Louis International Airport, streets, shops, buses and hotels were all
plastered with posters of granite colossi of the goddess Isis, the Nile god
Hapi, Ptolemaic royal figures and the head of Caesarion, Cleopatra’s son by
Julius Caesar, half buried in the seabed, for the Egypt’s Lost World
exhibition.
Others
showed divers coming face-to-face with monuments beneath the waves decorating
sections of the St Louis Art Museum (SLAM) façade, while a large 3D photograph
of one of Napoleon’s sunken vessels dominated the main wall of the museum’s
central courtyard and connecting the six grand galleries of the exhibition. St
Louis, it felt, had come under the spell of the Ancient Egyptian sunken
treasures.
The
exhibition displays 293 objects excavated from beneath the Mediterranean. It
was inaugurated by Minister of Antiquities Khaled El-Enany and SLAM Director
Brent Benjamin in the presence of Egyptian MPs Osama Heikal, head of the
Culture, Antiquities and Media Committee, and Sahar Talaat Mustafa, head of the
Tourism and Aviation Committee.
Enormous
care had been taken in recreating the Alexandrian theme.
The
different galleries of the exhibition had been designed to resemble the sunken
cities of Heracleion and Canopus in Abu Qir Bay, and all the galleries were
painted light blue and dark sandy-red to reflect the colours of the sea and
sand.
Giant
plasma screens showed films documenting the progress of marine archaeologists
as they uncovered the mysteries of Alexandria’s ancient Eastern Harbour within
the display theme.
Benjamin
had no doubt about the block-busting nature of the show in a city that already
boasts one of the world’s finest collections of Egyptian antiquities. “The
first exhibition of these Egyptian treasures is one of the cultural highlights
of 2018.
This
exhibition will attract and enthrall St Louis inhabitants as well as their
neighbours,” he told Al-Ahram Weekly, adding that he expected one million
people to visit the exhibition during its six-month duration.
The
museum has permitted only 200 visitors per hour in order to protect the
monuments and provide people with a positive experience. “This week, for
example, we succeeded in selling 1,000 tickets in only one day,” Benjamin said.
He
described the exhibition as “very important for American audiences as it
combines both archaeology and underwater aspects at one time. We grew up
watching the TV specials of [French diver] Jacques Cousteau, and here they are
combined together which makes the exhibition more compelling to Americans,”
Benjamin told the Weekly.
Frank
Goddio, head of the IEASM and leader of the underwater archaeological missions
that recovered the artefacts, said the exhibition was an ideal opportunity to
encourage people to visit Egypt and to explore its art and culture.
He
told the Weekly that the aim of sending the exhibition to the United States was
to open the new discoveries to the widest public and to encourage visitors from
the United States.
He explained that the interior design of the
exhibition was totally different from earlier outings in Paris and London. It
had a different sonography focusing more on museological techniques and history
than on a spectacular ambience, he said... READ MORE.