Gold
appliqué sheets from Tutankhamun’s chariot were put on display at the Egyptian
Museum this week, revealing the technology used to decorate ancient Egyptian
vehicles, writes Nevine El-Aref .
The
Egyptian Museum in Cairo’s Tahrir Square was buzzing with visitors this week
who had flocked to the institution’s second floor to catch a glimpse of the
Pharaoh Tutankhamun’s unseen treasures. Glittering
against black backgrounds inside glass showcases, a collection of gold appliqué
sheets that once decorated the boy-king’s chariot had been put on display for
the first time 95 years after its discovery.
When
British archaeologist Howard Carter discovered Tutankhamun’s tomb in 1922, he
stumbled upon a collection of decorative gold sheets scattered on the floor of
the treasury room near the chariot. Due to its poor conservation, Carter put
the collection in a wooden box that has remained in the depths of the museum’s
storage rooms ever since.
In
2014, a joint project by the Egyptian Museum, the German Archaeological
Institute in Cairo, the University of Tübingen and the Römisch-Germanisches
Zentralmuseum in Mainz carried out an archaeological and iconographic analysis
of this important but largely ignored collection supported by the Deutsche
Forschungsgemeinschaft, a research body, and the German foreign office. It is
this collection that has now been placed on display.
Minister
of Antiquities Khaled El-Enany described the exhibition as “special and
important” because it not only highlights a very significant subject but also
celebrates the 60th anniversary of the reopening of the German Archaeological
Institute in Cairo after its closure in 1939 due to World War II.
“The
exhibition is a good opportunity for the public to admire for the first time
one of the golden king’s unseen treasures,” El-Enany said, adding that several
artifacts from Tutankhamun’s treasured collection were still hidden in the
Egyptian Museum. “This will not last long,” El-Enany promised, saying that all
the boy-king’s unseen and non-exhibited artefacts would be transported to the
Grand Egyptian Museum (GEM) overlooking the Giza Plateau after its soft opening
at the end of 2018.
Director
of the German Archaeological Institute Stephan Seidlmayer said that studies
carried out on the appliqués had revealed that they once adorned the
horse-trapping, bow-cases and sheaths of weapons associated with Tutankhamun’s
chariot. They exhibited unusual stately and playful designs, combining ancient
Egyptian patterns with Levantine motifs, he said.
“They
attest to the large network of social and cultural interconnections which has
characterised the eastern Mediterranean from antiquity to the present time,”
Seidlmayer said. He added that scientific analyses using the latest technology
had revealed the sophisticated composition of the artifacts which rank among
the highest products of ancient craftsmanship.
They
reflect the wide-ranging trade network which incorporated the nearer and
farther regions of the Near East and the Mediterranean that extended into parts
of Middle and Western Europe. Raw materials, food products, and luxury goods
were traded along different routes by land and sea.… READ MORE.
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