New Discovery, Minya: Gypsum Head of King Akhenaten Statue Unearthed in Egypt's Minya

A British-Egyptian archaeological mission from Cambridge University has discovered a gypsum head from a statue of King Akhenaton (around 1300 BC) during excavation work in Tel El-Amarna in Egypt’s Minya governorate. Written By/ Nevine El-Aref.

The head – which is 9cm tall, 13.5 cm long and 8 cm wide – was unearthed during excavation work in the first hall of the Great Atun Temple in Tel El-Amarna, secretary-general of the Supreme Council of Antiquities Mostafa Waziri told Ahram Online.

Waziri says the discovery is important because it sheds more light on the city that was Egypt's capital during the reign of King Akhenaten, the 10th pharaoh of the 18th dynasty whose reign was among the most ‎controversial in ancient Egyptian history.

The Cambridge University mission is led by archaeologist Barry Kemp, who started excavations in Tel El-Amarna in 1977 at several sites including the grand Aten Temple, the Al-Ahgar village, the northern palace, and the Re and Banehsi houses, according to director-general of Antiquities in Middle Egypt Gamal El-Semestawi.

The mission has also carried out restoration works at the Small Atun Temple and the northern palace.

Tel El-Amarna, which lies around 12 kilometers to the southwest of Minya city, holds the ruins of the city constructed by King Akhenaten and ‎his wife Queen Nefertiti to be the home of the cult of the sun god ‎Aten. ‎ ‎The ruins of this great city include magnificent temples, palaces and tombs.

Source: Ahram Online

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News: Thomas Cook - British Holidaymakers Are Returning to Egypt and Turkey.

Egypt and Turkey are attracting more British holiday bookings, as prices in destinations seen as safer continue to increase.

Both countries have seen a slump in visitor numbers due to a series of terror attacks, together with the closure to UK airlines of the main Egyptian resort airport, Sharm el Sheikh.

But Peter Fankhauser, Chief Executive of Thomas Cook, said demand had picked up “as customers look for quality and value”. He told BBC Radio 4’s Today programme: “Both destinations are wonderful countries, with great hotels, great beaches, nice people, and it’s really good value.

“People want to go back. We are not a security company; as long as we have the advice of the Foreign Office that we can fly to Egypt and Turkey, we offer a great product.” Many holidaymakers have switched from the eastern Mediterranean to destinations perceived as “safe”, notably Spain.

Sales to Spain were unchanged, with “a very competitive trading environment” — due to the sheer number of aircraft seats from the UK to Spanish airports. Average selling prices for seat-only tickets are down 3 per cent, while holiday prices overall have risen by 7 per cent. “Spanish hoteliers are taking advantage a bit of the increased demand, and prices went up because we have not enough beds for all the demand,” said Mr Fankhauser. He predicted “A 5 to 10 per cent price increase we’ll have for sure in Spain” for summer 2018.

Thomas Cook has faced criticism from some holidaymakers caught up in the extreme weather in the Caribbean and Florida earlier this month, in particular travellers who were in Cuba as Hurricane Irma approached and who say Thomas Cook was slow in responding. But Mr Fankhauser said: “I am proud of how fast we acted in the wake of Irma to support our customers, and offer them alternative destinations for their winter sun.”

Source: Independent UK

INTERVIEW: Architect Mohamed Dessouki on The Desperate Need to Save Alexandria’s Parks.

It was back in 1922, upon writing his ‘Alexandria: a history and a guide,’ that E.M. Forster wrote that “if one would judge Alexandria by her gardens, one would have nothing but praise.” Written By/ Dina Ezat

Almost a century later, Mohamed Dessouki, a founding member of Save Alex, a pressure group dedicated to preserving the city’s heritage, fears that the country’s most prominent Mediterranean port city is facing a challenge in preserving its floral wealth as well as its architectural heritage.

“Public gardens have always been at the heart of city planning and life in general in Alexandria. Today, this concept is being seriously challenged, as we see a declining interest in preserving gardens, and certainly an attempt to attach parts of municipal gardens to clubs that only serve those affiliated to the power elite,” Dessouki, who is also the founder of the Walls of Alex blog, said in an interview with Ahram Online.

Dessouki says that many think of preserving Alexandria only in terms of a beautiful but highly eroded architectural history, but only a few give adequate attention to the botanical heritage of the city.

“This botanical history is by no means less significant than the architectural heritage of Alexandria. In Save Alex, as well as in the Walls of Alex, we voice concern about both issues among other things that relate to the beauty of this harbour city,” Dessouki said. Most recently, Dessouki has been campaigning to fight the declining awareness of the city’s botanical wealth.

In a series of lectures and articles, this preservation activist has been sharing information and pictures of the long history of four main public parks and gardens in the city; the municipal gardens (better known as elshalalat, or the waterfalls), El-Nozha (which holds both the zoo and Alzohour flower garden), Antoniadis and El-Montazah. These parks were planted and flourished mostly during the heyday of Alexandria in the second half of the 19th century.

Dessouki notes, however, that the beginning was actually during the reign of Mohamed Ali at the start of the 19th century, when the ambitious and visionary ruler of Egypt decided to dig the Mahmoudiya Canal, which brought the Nile water to Alexandria near the southern entrance to the city, which had been suffering growing neglect.

“It was this canal that helped give the city its many acres of exotic botanical wealth, and it has also held a special place in the hearts of those who lived in and loved the city,” Dessouki said.... READ MORE.

Source: Ahram Online 

Short Story: Remembering A Pharaoh

The life of the ancient Egyptian Pharaoh Amenhotep II is being relived in a major exhibition in Milan, reports Nevine El-Aref.

It seems that the shadow cast over Italian-Egyptian relations is about to disappear. The ambassadors of both countries have returned, and the ancient Egyptians will be spending the autumn in Milan in “The Extraordinary Discovery of Pharaoh Amenhotep II” exhibition inaugurated last week at the city’s Museum of Cultures (MUDEC).

It tells the story of the 18th-Dynasty Pharaoh Amenhotep II, son of Thutmose III, the sovereign of a lavish court and heroic central figure in a rich historical period that historians have baptised a Golden Age.

A wonderful display of artifacts and photographs has been carefully selected from the most important ancient Egyptian collections in the world for the Milan exhibition. The Egyptian Museum in Cairo has loaned nine pieces, and other source institutions include the Stichting Rijksmuseum van Oudheden in Leiden, the Kunsthistorisches Museum in Vienna, the National Archaeological Museum in Florence, and the Giovanni Barracco Museum of Ancient Sculpture in Rome. These museums and other private collections have loaned for the occasion statues, weapons, items from daily life at court, burial assemblages and mummies.

The exhibition also sees the collaboration of the University of Milan, which has loaned the original excavation documents for the Pharaoh’s tomb, as well as the collaboration of the Milan civic museums network, in particular the Castello Sforzesco Museum that has provided finds from its Egyptian collections while it is temporarily closed for renovation.

The exhibition poster featuring a beautifully carved marble bust of Amenhotep II can be seen everywhere on display in Milan, in the city’s streets, stations, shops and restaurants. The MUDEC where the exhibition is being held has been turned into an ancient Egyptian ceremonial arena for the occasion. To the music of harps, young men wearing golden nemes (ancient Egyptian head coverings) and silver kilts in the ancient Egyptian style with golden collars and belts greet exhibition visitors.

Further inside the exhibition, the atmosphere becomes more dramatic, providing an impressive setting for the granite, limestone, marble, wooden, golden and faience objects on display. All in all, visitors are taken into a truly epic experience to explore the life and history of Amenhotep II in a succession of poetic dramatisations as well as an audio-visual demonstration......  READ MORE.

Source: Al-Ahram Weekly

News: Batch of Colossal Statues to Be Moved to Grand Egyptian Museum on Wednesday

The statues include a number of depictions of king Khafre, a bust of King Thutmose II wearing the nemes, a red granite statue of goddess Hathor and fragments of the sphinx's beard. Written By/ Nevine El-Aref.

A gathering of journalists and TV crews are scheduled to witness the arrival of a dozen colossal statues at the new Grand Egyptian Museum on Wednesday.

Tarek Tawfik, supervisor general, told Ahram Online that the statues are being transported from the Egyptian Museum in Tahrir and include a unique collection of depicting the fourth dynasty king Khafre, a bust of King Thutmose II wearing the nemes, a red granite statue of goddess Hathor, a colossus head of king Userkaf and two large limestone fragments of the sphinx’s beard. The statues are to be displayed on the museum's Grand Staircase.

Eissa Zidan, general director of the first aid restoration department at the GEM, saaid that all the artefacts were subjected to restoration before packing and a detailed report on their conservation condition was written. The experts said that all necessary procedures have been taken to ensure the pieces are transported safely.

One technique used for the Hathor statue was an American method, they told Ahram Online, which involves fixing the artefact on a foam base and covering it in Japanese tissue paper. The museum on the Giza plateau is scheduled to open at some point in 2018.

Source: Ahram Online

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News, Cairo: Ottoman-Era Artifacts Seized at Cairo Airport to Go to Museum of Islamic Art

The pieces include Coptic textiles, a collection of headdresses decorated with Arabic calligraphy, and Ottomman-era manuscripts and medallions. Written By/ Nevine El-Aref.

On Wednesday the Museum of Islamic Art will receive a collection of Ottoman-era Egyptian artefacts that were seized early this week at Cairo International Airport.

The objects were in the possession of a passenger who was trying to smuggle them to Istanbul.

Upon confiscation, an archaeological committee led by Hamdi Hamam, the director-general of the antiquities unit at the centre, approved the authenticity of the objects.

The pieces include 34 Coptic textiles decorated with foliage ornamentation in a bad conservation condition, a collection of headdresses decorated with Arabic calligraphy, and three 18th and 19th century manuscripts.

A round Ottoman tapestry woven in red velvet is also among the seized collection, as is a collection of Ottoman medallions and manuscripts.

Mamdouh Osman, the museum director, said that the objects would be restored and put on special display at the museum.

Source: Ahram Online

News: No Unauthorized Egyptian Artifacts at Louvre Abu Dhabi - Cairo

The Egyptian cabinet's Information and Decision Support Center has denied media reports that Egyptian pharaonic antiquities have been sold or smuggled to the Louvre Abu Dhabi.

Louvre museum, designed by French architect Jean Nouvel,
surrounded by sea water. The Louvre Abu Dhabi opens
its doors to the public on November 11, 2017

In an official statement on Tuesday, the IDSC said that the antiquities ministry has said that Egypt has not sent any antiquities to make a debut at the Louvre Abu Dhabi, set to be officially inaugurated in November.

Images have been circulating on social media showing a number of Emirati officials inspecting pharaonic antiquities inside the museum, raising speculation that Egypt had given up the items.

The ministry clarified that the antiquities pictured were from archaeological collections already in the Paris Louvre. The Paris branch of the museum currently includes about 50,000 pieces in its Egyptian collection, dating from 4,000 BC to the fourth century AD.

"Egypt has no right to interfere to stop the antiquities from being presented based on the law," the IDSC statement added, pointing that the acquisition of any antiquities by international museums was "legal."

"The antiquities were transferred outside the country legitimately before the issuing of a 1983 law that banned the trade in antiquities," the IDSC said, adding that prior to the passing of the law, countries that conducted excavations in Egypt had the right to have a share in the antiquities found. This is not the first series of denials by officials on the issue.

On Monday, the head of the Egyptian museums department at the antiquities ministry, Elham Saleh, denied the rumors that the Abu Dhabi items had been smuggled out of Egypt, calling on the media to ensure the accuracy of their reports.

Egypt has been making efforts to retrieve smuggled artifacts from foreign countries. It has called upon other countries to prevent illegal exchange, transfer, import or re-export of antiquities within their territories. The Louvre Abu Dhabi is the result of a 2007 agreement between the UAE and France.

Source: Ahram Online